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| Featured Artist Link REALLYMUSICRADIO presentsJudd & Maggie
Judd and Maggie are a brother/sister team from Maryland who write songs that manage to be both quirky and unforgettable. Their debut, Subjects, is a throwback to the days when artists focused on making full albums instead of just singles. The roots of Judd and Maggie's Subjects, stretch back to an old house on the west side of Baltimore, where the siblings spent their first years. When he was fifteen and she was eleven, their family traded this urban setting for the countryside near Frederick, Maryland, about 35 miles north of Washington, D.C. While corner groceries and friends' front stoops had once been steps away, woods stretched over the hills that Judd, Maggie, and their five siblings could now see from their windows.
Two streams of music flowed through this household. "Back in the Sixties our dad was in a folk band called the Glencoves," Maggie says. "They were kind of like the Kingston Trio or the Folksmen," Judd suggests, "if you've seen A Mighty Wind." "And my mom's family is our boisterous, Irish side," he adds. "They sing show tunes in bars at the top of their lungs." Judd followed his dad's approach to music. He played in bands throughout high school and college. Meanwhile, Maggie, like her mom's relatives, was memorizing the Broadway canon. In high school and college she appeared in The Sound of Music, The Wizard of Oz, Fiddler on the Roof, anything that involved belting a melody toward the balcony. ("Judd taught me how to tone it down a bit," she admits.) They started working as a duo during weekends, when Maggie would come home from college in Virginia. It wasn't unlike what they'd been doing since they were kids at church events and parties. In fact, neither could remember any particular show as their debut. But there was one night in Ireland: "Our family had been driving around and we wound up at this pub in Galway," Judd remembers. "My parents, our two younger siblings, Maggie, and I started to sing a few songs. Afterwards, when we were at dinner, our dad looked at us and said, 'You know what? You guys have to play together!" "Maybe he'd had a few drinks by that time, so we got him to promise to support us as we were starting out," Maggie adds. And that was that. Back home they began performing around Baltimore, little clubs and cafés. They cut a homemade CD. Their harmonies tightened, their lyrics matured, their sound grew deeper and more transparent. The instrumentation remained simple: Judd on piano and acoustic guitar, Maggie on bass. Labels started making offers. After their set at a used bookstore in New York called the Housing Works, an RCA Victor A&R representative invited them to the BMG Building in Times Square to perform for some RCA executives. "We actually went back there a few times and played in their conference room," Maggie says. "Each time more people would show up," Judd says. "It was actually kind of disarming because we sang without mikes and created this intimate, personal environment with all these sultry billboards and the New York skyline through these glass windows as our backdrop," Maggie adds. "Really, we write and sing about basic human conditions," Maggie sums up. "The title, Subjects, is about people, the subjects of our songs. And of course it's about us, Judd and me. We developed our sound in our living room, and we've been able to maintain that integrity. This album is a perfect representation of who we are." |
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