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REALLYMUSICRADIO presents

CROSS CANADIAN RAGWEED

"We're a little more rock 'n' roll than other people (from the Oklahoma/Texas scene) and that's not a bad thing," laughs Cody Canada, whose Southern-fried lead guitar licks betray his love of heroes like Stevie Ray Vaughan, Pete Anderson (of Dwight Yoakam fame) and Eddie Van Halen--not to mention the fact that he's been playing since he was eight years old.

"Cody's such a good lead player, I don't have a problem playing rhythm," says Grady Cross. "Man, he feels it. He doesn't just sit up there...he's all over the stage, just killing it. He'll take his guitar and slide it across the rail on the front row. And when it's all four of us out there on stage, sometimes it doesn't even feel like the crowd's there because we're all so focused on each other--what the next person's going to do."

No surprise really, given that these guys have known each other pretty much since kindergarten. "We've been friends since we were kids and that's the one thing that keeps us going I think," says Canada. "That's the soul of this band...the friendship between us." These friendships were born in the band's hometown of Yukon--a blue-collar burg they couldn't escape from fast enough. By the time the guys were all just out of high school (except for Ragsdale, the youngest), they started jamming at a party and Cross Canadian Ragweed was born. Yukon as a rule wasn't a very musician friendly town, but they had one notable local squarely in their corner: Ragsdale's father Johnny (now deceased).

"My dad was a guitar player--he played with Bob Wills,and a little bit with Reba McEntire when she was first starting out," says Ragsdale. "He really didn't want me to be a drummer but I insisted...I found a set of drums in a neighbor's trash one day and hauled them into the cellar. He kind of figured out after about a year that I was serious and finally got me a new drum set. When he met Cody, he realized his talent and how seriously we wanted to take music, and he really pushed us. He completely drove us up the wall but later down the road we realized he did it for a good reason." Once the band got its chops, they moved to the all- together more musician friendly town of Stillwater, where acts like McClure's Great Divide and singer- songwriter Jimmy LaFave had established enough of a local scene to earn Stillwater the nickname "North Austin" (or, depending on your perspective, "West Nashville"). Inspired by McClure's self-penned Great Divide songs (and more than a little by early Steve Earle), the band quickly grew out of its Merle Haggard and classic rock covers and began focusing on Canada's uncommonly honest and straight-forward originals. A potent foursome of albums--1998's CARNEY, 1999's LIVE AT THE WORMY DOG, 2001's HIGHWAY 377 and 2002's LIVE AT BILLY BOB'S TEXAS, collectively selling over 70,000 copies to date--coupled with an average of 200 gigs a year cinched the band's place at the top of the Texas/Oklahoma music totem pole.



Cross Canadian Ragweed's website



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